THE PASSION OF THE MAO
is an irreverent documentary that reexamines the Cultural Revolution
and restores the once bright reputation of Mao Zedong. The Passion
of the Mao manages at
one and the same time to put a new twist on Mao’s life,
to mock the recent religious film by Mel
Gibson, and to demonstrate how Mao’s influence lingers.
WHO KNEW THAT COMMUNISM
COULD BE SO FUNNY?
WHO’S MAKING THIS FILM?
Director-writer-producer Lee Feigon writes frequently about East
Asian politics, economics, history, and
culture for publications such as The Wall Street Journal, Barron’s,
The Nation, the Chicago Tribune, the Atlantic, and the
Boston Globe. He has appeared on national television, including
MacNeil Lehrer, CNN, Hardball CNBC, and
the NBC Nightly News.
Post Production on the film was done at Hammer &
Pixel Studios in association with Gold'n'Group.
Neal Gold of Gold'n'Group and Steve Cejtin from Hammer &
Pixel brought their award winning skills as well
as their senses of humor to this production. The result is visually
eclectic, funny, and informative.
Gold has had films in countless film festivals, Sundance among
them. Cejtin has won silver and bronze medals at
the New York Film Festival for his work in commercials and televsion
programs.
Animation by Next Wave Multimedia, P.R. Rajendran
and Cows Can Fly, Jigeesha Joshi.
and Hammer & Pixel
Additional editing was done at Live Wire Productions.
The narrator for the film is Aaron Freeman. Aaron
Freeman is the only Jewish/African-American comedian-commentator
who appears regularly on NPR. He is known as "the
funniest black Jew on National Public Radio".
WHO WILL WANT TO SEE THIS FILM?
The growing number of people interested in China and Chinese
movies, Asian Americans, biography nuts,
people who hate Mel Gibson, anti-war people, leftists, feminists,
and especially those who want to see a great,
entertaining film.
DON’T WORRY, IT WILL BE CONTROVERSIAL
Feigon interviewed people who lived through the Cultural Revolution—successful
women and men who are now
professors at major universities in the West—who say that
Mao and especially the Cultural Revolution were the
best things in their lives. They credit the Cultural Revolution
for making them feminists and allowing them to have
an education. Under Mao the economy grew fast, laying the foundation
for China’s recent success. Even the Dalai
Lama speaks fondly of Mao. And what about the anti-Maoist beliefs
that have sullied the reputation of the man
once referred to as “the sun in the sky?” They are
part of a vast radical conspiracy, the result of propaganda churned
out by the same people who turned the tanks on the Tiananmen
demonstrators.
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